Oral storytelling and national kinship: PhD studied at the University of Nairobi for her undergraduate and Masters programmes. She completed her doctoral studies at Moi University, specializing in literary theory. She is currently a lecturer at Moi University, Eldoret Kenya. The story, in the form of the oral narrative, has always been a communalizing genre in the traditional African setting.
It then functioned as a tool that brings together not only the artist and the particular audience, but also the entire community within which the performances are derived and performed. However, postcolonial, modern and global situations have greatly impacted on the traditional kinship structures in Africa and kinship fostering tools like the African oral narrative have not been spared.
The introduction of the oral storytelling onto the proscenium stage in the Kenya Schools and Colleges Drama Festivals KSCDF has contributed to perpetuate the performance of this genre to significant degrees.
This move has not only recalled attention to oral narratives, but also has revolutionized the performance and functional aspects of oral storytelling. Various aspects of the oral narrative genre have changed, from the multi-ethnic audience to the elaborate narrative structures and the varying orientations of the oral artists in KSCDF.
The dramatic elements of the narrative have also been enhanced to justify its inclusion within the wider dramatic genre. This article investigates the structural and thematic reorientations of the contemporary Kenyan oral narrative and how it influences the reorientations of kinship in a postcolonial reality characterized by heterogeneous consumer audience and the need for national commonality. The aim is to understand the reorientations of oral storytelling and its scripted machinations of multi-ethnicity woven into the narrative as part of its contemporarily requisite features; the question is whether or not these reorientations enable the ideological adoption of some form of kinship across the diverse ethnic groups in Kenya.
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Billy Burke pratar om Kristen Vid ungefär 1: It follows his ups and downs as he hitchhikes, hops trains, meets other travelers, struggles for meals and explores the themes of freedom and longing. Den 8 November sågs Ashley ute på stan i Beverly Hills. Wow, rikitgt bra gjorda! Klicka här för att se alla 36 bilder!
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Rikigt cool video ifall du frågar mig! Titta på bilden och fokusera på det röda krysset, titta i ca 30 sek. Sen tittar ni över på ett vitt papper eller någon vit vägg så kommer ni att få syn på lovely Edward! Sex scenerna register breaking dawn kommer att börja spelas in imorgon! Den stora nyheten kom från twitter. Wow, rikitgt bra gjorda!
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Should I draw the line here?17 years old Lina goes to the Arvika Festival with her boyfriend Calle despite that her At the festival she meets the singer Marc and they start to like each other but things 1h 35min | Drama | 16 February (Sweden) .. Runtime: 95 min . Egentligen skulle man ju kunna prata sönder det hela ganska Hans fantastiska festivaldrama i Sommarkatt och hans berättarförmåga i Hej Hå en flaska med Rom. . Please wait a few minutes and refresh this page..
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